Our Glorious Dead

Were you intrigued by the illustration on the previous post of the Grammofonus Orchestra? If you were, you might have done some googling. If you were too idle or too busy, we’d like to show you what you would have found.

We can’t find any information about Grammofonus except for a website here and some video clips which hardly anyone has ever bothered watching.

The website reveals the artist to be Stupor Schwärze, about whom we can discover nothing but what he tells us about himself. He’s a musician/performance artist. Anarchic. Arty.

Here at the GFG Funeralcare Tower™ we have fallen in love with Herr Schwärze. We’ve been listening to Our Glorious Dead all morning. One little intern loves Ave Porcus best, another Hitlerwetter. We all love Schlafe Ein. You can listen to the album here.

Quote of the day

“When a very loved friend dies they make a gift of their love of life to you in that it’s now your responsibility to love life as much as they did.”

Martin Amis on the death of his lifelong friend Christopher Hitchens

Sign of the times

“A survey last week listed the 50 indicators that you have become a fully fledged adult, which include being able to bleed a radiator, washing up immediately after eating, and carrying spare shopping bags “just in case”.

“I’ve already failed on quite a few – such as owning “best towels” and “filing post” – but in any case I’d like to substitute a handful of my own: buying a slow cooker; enjoying lunch alone in a restaurant rather than fretting that people will think you’re a “Billy-no-mates”; and, when you hear a much-loved song, briefly considering whether you might like it played at your funeral.”

Jenny McCartney here

Do women write better about death than men?

At the Telegraph Hay Festival last weekend, Martin Amis opined that women write better about sex than men. They do so, he said, with greater sincerity. Men get carried away showing off their writerly potency. 

This set me wondering whether female celebrants write better, more emotionally articulate funerals than men.

Amis went on to say: 

“Let me venture a distinction between men’s writing and women’s writing. There is a difference between real sincerity and literary sincerity. When you’re told about the death of a friend you can burst into tears but you can’t burst into song. But I would say there’s a bit more song in women’s writing, there’s more real sincerity in women’s writing.”

I suspect there’s something in this, and that it carries over into funeral scripts. The emotional temperature of a ceremony written by a man is likely to be cooler than one written by a woman, its content thinner.  

I suspect that the best male celebrants acknowledge the general superiority and greater emotional fluency of the sisterhood. 

On reflection, I acknowledge that this may not be a universally held view. 

 

Undertaking in China

“Traditionally, older folks would say this profession is only for those people who are not married, have no children, and have no choice.” 

Source

Belated jubilee blog

From Ed Mayo’s blog:

‘Jubilee has a different meaning for me, coming out of the Jubilee 2000 and debt campaigns. And I can’t help but smile at another meaning, unmeant for sure, in a co-operative advert cited by Private Eye this week:

“Co-operative Funeralcare: congratulations to Her Majesty the Queen on her Diamond Jubilee…our service is designed with you in mind”’

Ed Mayo is the General Secretary of Co-operatives UK. Find his blog here

New life for old dead people

It may have passed us by here at the GFG-Batesville Tower. We can wear thin. Exciting innovation, breathlessly announced in gushing PR-ese, sometimes gets the yeah-yeah. 

We’re talking about the US trend for putting QR codes on headstones. Has it crossed the Atlantic yet? If not, why not? We concede that it may have. 

It’s a terrifically good idea. Cheap, too, at around £35 a throw. You take a QR tag measuring roughly 1 inch x 2 inches. You stick it on a headstone or any other memorial — it’s not just for buried dead people. You point your smartphone at it and it takes you to a webpage containing the life story of the dead person plus photographs of said dead person plus links (optional) to social network sites and a really good online memorial site like MuchLoved

At a stroke it solves the problem that has beset the memorialisation of everybody save the enduringly famous. Burial grounds the world over currently commemorate amnesia. They are full of people who, even those with the biggest tombs, mean nothing to anyone. Why? Because the inscriptions on their headstones/obelisks/mausolea are insufficiently informative to make them remotely interesting. 

And yet there are loads of exceedingly interesting dead people out there, from age-old B-list celebs to civic worthies to extraordinary ordinary people. Add ’em up, that’s almost everyone dead and buried. 99.999%. Tell us more about them, what they were like, and suddenly a graveyard becomes a really good and satisfying read. 

The appeal is obvious to the contemporary bereaved. But it’s greater than that. Many of our burial grounds stretch back over centuries. So here’s a job for local historians. Research the life stories of the occupants of your burial grounds, then slap a QR tag on their headstones. The general reader will bless you. Imagine parties of schoolchildren zooming around with their smartphones, history coming to life before their eyes…

Check out some QR code memorialisation specialists here and here and here

Linda Demelza Robinson

Posted by James Leedam

It was with great sadness that I heard that Linda Robinson died at the weekend. 

I received a telephone call from Diane Thomas, of Humber Woodland of Remembrance, to let me know that Linda had died. Diane didn’t know that we were in fact expecting Linda to arrive any minute with a sample of her fabulous Burial Cloud shroud for us to promote. Linda had made plans to join us at various country shows around the UK during the summer months. It was difficult to understand how such a force of life could be gone – we had only started to get to know Linda, but from the moment we met her we loved her and were inspired by her enthusiasm, openness and joyful spirit.

At the recent launch of the Burial Cloud at Diane’s workshops in Risbury, I met a group of people keen to show their support and full of affection for Linda (or Demelza, as I found out she also called herself). All touched by a colourful, extraoardinary and lovable person.

Linda put her heart and soul into the development of the Burial Cloud – a simple, natural, product; soft, gentle and warm. It is ethically produced using traditional crafts and is perfect for natural burial.

Linda leaves her partner Louis and son Ruben, to whom our hearts go out. Louis will be continuing to produce and market the Burial Cloud and I am sure that all those in the natural burial community will want to offer their support to him.

James Leedam is the founder and ceo of Native Woodland Ltd

Thoughts of a funeral-goer

Posted by Lyra Mollington

When my mother died, I coped really well.  I felt fine at the funeral too.  Well, a little bit angry at the detachment and complacency of the Anglican priest, but otherwise fine. 

However, for many years afterwards, I found it difficult not to dwell on the fact that she hadn’t reached her ‘threescore years and ten’.  I felt resentful when I saw a sprightly old dear out shopping.  And I bristled when people said of an elderly person, ‘Isn’t she wonderful for her age?’

I’m ashamed to admit this of course.  And extremely ashamed by my reaction when one of my book club friends, Valerie, tearfully told me that her mother had died.  Valerie’s mum Emma was 98.  And a half.  And up until a week before she died she was doing all her own shopping and cooking.  I mustered every ounce of sympathy I could find, but all I really wanted to say was, ‘How lucky you had her for so long!  Thirty three years more than my mum – that’s a life time.’ 

I decided to go to the funeral of course.  However, I was not looking forward to it, especially as the last one I’d attended was young Lee’s: only twenty three and with two young children. 

From the moment I saw that there were at least ninety people in the crematorium chapel, I thought that I might be in for a few surprises.  I wasn’t disappointed.  The coffin was carried in to the Andrews Sisters singing ‘Show Me the Way to Go Home’. Emma’s family had planned and written the whole ceremony, and one of her grandsons took the role of celebrant.  He was excellent – well-groomed, with a delightfully expressive voice, and very good-looking.

During the main tribute, I discovered that Emma’s daughters (Christina and my friend Valerie) were in fact her step-children.  Their natural mother had died when Valerie was a baby.  In those days, single parents were expected to put their children into care if no-one in the family could help.  Their father Clifford struggled for as long as he could but finally he had no choice.  Then he met Emma.  Or should I say, met her again.  They had been sweethearts at the beginning of the War but lost touch when Clifford went abroad to fight.  Emma wasn’t going to let him get away again – and a ready-made family didn’t put her off in the slightest. 

Both girls were rescued from the orphanage.  Christina described her mum Emma as compassionate, caring, selfless and fun-loving.  Emma adopted them but never pretended that she was their natural mother.  Indeed she often spoke to them about their mother, showing them photographs, remarking how beautiful she was and how she loved them both dearly. 

Following the tributes, we sang one of Emma’s favourite songs.  Emma loved to sing.  Singing in tune wasn’t her strongest attribute, but she was loud and enthusiastic.  She taught her children, grandchildren and great grandchildren an interesting assortment of songs like, ‘What Shall We Do with a Drunken Sailor?’; ‘On Ilkley Moor Baht ‘at’; ‘Green Grow the Rushes-O’; ‘The Quartermaster’s Stores; ‘There’s a Hole in my Bucket’; and ‘Home on the Range’.  Songs were sung in the house, in the garden, on car journeys and whilst out walking.  They all agreed that the one that best reflected her exuberance was ‘The Happy Wanderer’.  So that’s the song we sang.  Not everyone was in tune but we were loud and enthusiastic!   

Then her youngest grandchild read a poem:

I am not gone  
I am in the hearts and bodies of my children  
I am in the raising of my children and their children to come,  
I am in their laughter and in their eyes,  
Following a lifelong pattern I have set before them,  
I am in their caring and in their strength,  
I am in the minds of everyone who has known me,  
Search your hearts for good memories,  
And then you will know, I am not gone.

By the time we were invited to stand to say the farewell together, I could barely read the words in the order of service. 

We left to ‘Swing Low Sweet Chariot’ (sung by Blake) because ‘Emma loved watching the rugby when the England team was playing.’ 

By the time I stepped outside, I was feeling uplifted and emotional.  I made a bee-line for Valerie and did something I should have done when she first told me that her mother had died.

I gave her a big hug.

The Art of Portrait Sculpture

“Death Mask Sir Thomas Lawrence, 1769-1830”

Can be seen at Presence: The Art of Portrait Sculpture

With portraits by artists from Giacometti to Ron Mueck, Presence is a terrific gathering of people carved, cast, modelled in clay or turned to stone. The Observer’s Laura Cumming takes a look at some of the works on show

Presence: The Art of Portrait Sculpture is at the Holburne Museum, Bath, until 2 September

The Good Funeral Guide
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