Sharp rise in Pauper’s funerals

Posted by Vale

You’d be forgiven for thinking that Oliver Twist is in a workhouse somewhere asking for more. It seems extraordinary in 2012 that there are headlines like this in the Daily Telegraph this week, followed by the stark (and slightly ludicrous) quote from Kate Woodthorpe of the University of Bath that it is:

“becoming too expensive for poor people to die”.

The article is based on a joint report between the university and Sun Life Direct and notes that the number of applications rejected for a funeral payment increased by 6.9% and is likely to jump again in the future. Put bluntly funerals are becoming unaffordable for more and more people.

There are issues with the report of course. Sun Life’s interest in shepherding people towards its end of life plans is one. It also includes a great deal of information that deserves more detailed consideration. For the moment though our concern here at GFG has a narrower focus. Let’s go back to the news that, in an age where benefits claimants are routinely stigmatised and welfare support is harder to access, state support for the costs of funerals is shrinking; that the funeral as it is designed, sold and delivered is becoming too expensive for too many; that we are pauperisng people.

As a service (that likes to puff its chest out and call itself an industry) does this news make you feel good about the drive to upsell? Are you comfortable with a lack of transparency about pricing? Do the packages you offer, the lack of flexibility, the way that basic or simple is designed to look mean and cheap fill you with pride?

Are you filled with a drive to change, to build new and more responsive businesses where trustworthy services and products are offered in a culture of respect and openness?

Or do you dust off the top hat and smile to yourselves at the prospect of this new Victorian age?

The Deciphering

Posted by Vale

The Deciphering

How busy we are with the dead in their infancy,
who are still damp with the sweat of their passing,
whose hair falls back to reveal a scar.

We think of wiping their skin, attending them
in the old way, but are timid, ignorant.
We walk from the high table where they are laid

leaving their flesh royally mounded
just as they have left it
for the undertakers to cherish.

We consider the last kiss,
the taste and grain of it.
The lift door squeezes open, then shut.

All days we think we have lost our car keys.
There is a feeling in the back of the mind
as we eat a meal out on the balcony

but the door refuses to open
and although my sisters have prepared food elaborately
you do not advance to us, smiling.

The children have put sauce on the side of their plates
thinking you will come and swipe a chip,
thinking this meal is one you cooked

as always, humming to yourself in the kitchen,
breaking off to tap the barometer
and watch starlings roost on the pier.

How long it takes to stop being busy with that day,
each second of it like the shard
of a pot which someone laboured to dig up

and piece together without knowledge
of language or context.
Slow, slow the deciphering.

This marvelous poem is taken from Helen Dunmore’s new collection The Malarkey.

Library of dust

Posted by Vale

Oregon State Insane Asylum closed in the 1970s after operating for nearly a hundred years. Over that time inmates died, were cremated and their remains, stored in copper canisters, were stored uncollected.

The photographer David Maisel has made a photographic record of them. He writes:

The approximately 3,500 copper canisters have a handmade quality; they are at turns burnished or dull; corrosion blooms wildly from the leaden seams and across the surfaces of many of the cans. Numbers are stamped into each lid; the lowest number is 01, and the highest is 5,118. The vestiges of paper labels with the names of the dead, the etching of the copper, and the intensely hued colors of the blooming minerals combine to individuate the canisters. These deformations sometimes evoke the celestial – the northern lights, the moons of some alien planet, or constellations in the night sky. Sublimely beautiful, yet disquieting, the enigmatic photographs in Library of Dust are meditations on issues of matter and spirit. 

A book of the project can be found here.

No stripping of the altars here

By Richard Rawlinson

The row at Haycombe crematorium in Bath over the replacement of the cross-etched 1960s window with a clear pane – offering a neutral blank canvas for visitors of different faiths and none – is contextualised by this example of tolerance and diversity.

The pictures here are of North London’s New Southgate Cemetery and Crematorium, which probably reflects the capital’s multicultural diversity more than any other, catering for religions and traditions including Catholic, CofE, non-religious, Bahai, Jehovah’s Witness, Jewish burials and many more besides.

With its cemetery established in 1860 and its crematorium opened in 1957, New Southgate offers dedicated burial areas for Greek Orthodox, Caribbean and Catholic communities, plus wooded areas for people who wish to have more natural surroundings. Wander round and contemplate the statue of Our Lady one minute, and peaceful green havens the next.

The traditional chapel, which offers an organ as well as a CD system, appeals to everyone from Hindus and Sikhs to secularists. Peace and common sense prevail. Crosses and other religious symbols can be changed or removed to create the right setting for each individual service, but the point is that it remains the spitting image of a handsome Victorian church. In other words, it reflects our Christian heritage, an unpopular phrase, but one that is simply accurate.

No-one is lobbying to knock down its steeple, like poor relations of Reformation icon-smashers or the cultural cleansers of the Chinese Revolution. Far from demanding it resembles an industrial incinerator devoid of any ‘offensive’ character, all faiths and none are sharing this beautiful inside and outside space for their funerals.  

The Good Funeral Guide
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