Not in front of the children

The information revolution has done huge damage to the funeral industry. Recent TV exposés of goings on behind the scenes in a Co-operative Funeralcare and a Funeral Services Partnership mortuary went viral when they aired and endure in the public memory. That the NAFD did not, in the aftermath, suspend or expel FSP called into question its claim to discipline its members when they breach its Code of Practice, a matter it is currently addressing with an urgency that might be lacking if people were not watching. 

The information revolution has also done the funerals business an enormous amount of good. Sky’s documentary in the Great Little Britons series profiled some of the great people who work in the business and showed them to be the kindest and most dedicated human beings anyone could hope to meet anywhere, ever.

Latterly, the Coronation Street plotline around Hayley’s suicide and subsequent funeral has got people talking and thinking in all sorts of positive ways.

And when people start talking and thinking about stuff these days, they tweet, they facebook, they text and email; above all, they google. In the wake of Hayley’s funeral the GFG has been awash with people looking for, and exchanging, information — especially about coffins they can buy online, of course. And celebrants. The BHA website will also have enjoyed a great deal of traffic.

Funeral people are understandably protective of the image and the good name of their industry. They worry about being brought into disrepute — as you might expect when any scoundrel can call themselves an undertaker and open a shop. 

At last year’s Good Funeral Awards, an event which prides itself on celebrating diversity and bringing funeral people of all sorts together in a spirit of fellowship, some ‘respectable’ FDs, people for whom the GFG has a high regard, were disturbed by the presence of what buy cialis uk next day delivery they felt to be one or two gothy exotics letting the side down, giving a poor impression. They had misgivings about how the event might have been portrayed by the media with the help of mischievous edits and selective quotes. We hadn’t expected that, Brian and I. It it caused us some amazement and heartsearching.

We reflected that we’ve had a media presence, including TV cameras, at both awards events. We court the media, dammit, we work hard to publicise the best in the business; that’s the whole point. We reflected that media portrayal of funeral people at the event has never been other than 100% positive. The event reflects the diversity of British society. There are all sorts of undertakers out there catering for all sorts of people. Where’s the shock horror in that? 

The story of last year’s Awards, if you want to remind yourself, was in the Spectator magazine. Sheer class.

Funeral people worry about things getting out. Reputation management used to be all about blind eyes and cover-ups, of fudges and dissembling, of closing ranks and putting up a front. Not any more it ain’t. In this new, floodlit age, everything can be known and everyone is accountable.

So you want to protect people’s feelings? So you think there are things it’s kinder not to tell them? Well sorry, it doesn’t work like that any more. They’re not children. In any case, that was always a patronising way to treat people.

If you want to suture the mouths of your dead, fine, just be sure to have an answer when you’re asked about it. If you want to embalm, be ready for the trocar question.

There’s no hiding place any more. The genie ain’t going back in the bottle. Don’t blame the sunlight. Everyone has the right to make informed choices. Deal with it.

Empower the bereaved and they’re a joy to work with

Once in a while we get to hear what a difference the GFG has made to people – especially since we upped the amount of info we offer on our website. We’ve recently added heaps of helpful, informative documents that people can download. It’s proving very popular.

When a family organising a funeral decide exactly what they want before they get to the undertaker – when they march in with a complete list of arrangements and simply ask the undertaker to get on with it – isn’t that very disempowering for the funeral director? Doesn’t it downgrade them, detract from their status, devalue them?

No. And here’s the reason. It alters their role – in all sorts of positive ways.

In this altered role the client-funeral director relationship is essentially collaborative. The empowered client sees the funeral director as a partner and enabler. The arrangements are enriched by the advice and guidance of the funeral director, whose consultancy value remains, of course, high – funeral directors know what works and what doesn’t. The empowered client doesn’t know it all: the funeral director is still the expert. As I said, it’s a partnership.

The resulting safedrugstock order cialis online html funeral is in every way far more fitting and meaningful and creative and rich. When it’s over, the family punch the air. A happy client is a proud client – proud that they found out what they could do, proud that they found the right partner to help them do it, proud that they did all they could, and proud that they got it right. Such a client is also a grateful client.

For the funeral director and the celebrant, a funeral created in this way is a joy from start to finish.

And it’s really nice not to have to start, for once, with: “Do you know if Mum wanted to be buried or cremated?”

Needless to say, empowered clients find their funeral director from our list of accredited, recommended funeral directors.

Clients like these are going to multiply. There’s an enormous amount of information available, it’s readily googlable and nothing’s going to put the clock back. The information revolution is not to be feared and resented.

There’s a discussion to be had about what information it is irresponsible to broadcast. We’ll deal with that tomorrow.

Snowy Conditions on the way home from Stockport

Another adventure from the Vintage Lorry Hearse

Last February, during the wintery conditions that gripped the U.K., Vintage Lorry Funerals was booked for a funeral in Stockport. The advice from the Police was that you should not venture out on the roads where problems with snow and ice existed throughout Britain. However, David Hall, who owns the 1950 Leyland Beaver, is not easily deterred. Detailed planning is undertaken for every funeral and in the Winter David has established local contacts along a route who can give an insight into the local conditions, which is invaluable. Travelling the A-Roads is particularly hazardous and information on which roads will be gritted is essential.

The Leyland Beaver is equipped with a shovel, road salt, extra weight on the drive axle and rolls of stair carpet. Often in snowy conditions the main roads are cleared but local streets are often treacherous and stair carpet is rolled out to provide a safe roadway over deep snow or sheet ice. In addition, trundling along at 30 miles per hour, David is much less likely to skid off the road as high speeds are often the cause of mishaps.

On the day of the funeral in Stockport, heavy snow storms were forecast in North Wiltshire and it was likely that David would have difficulty getting home and reversing the lorry up his drive in the dark would have presented a big problem. So he phoned his friend Sean Hayward who runs a haulage business in Walsall. Sean agreed to let the Leyland Beaver stand in his workshop overnight and booked accommodation for David. The picture demonstrates the amount of snow that fell that day and provides the stark comparison between a 63 years old vehicle and those modern day juggernauts. The 1950 Leyland Beaver may have less mirrors, however, they are both contained within the overall width of the lorry, which enables it to cope with tight access facilities that can occur in funerals.

Black ice persisted in the morning and the backend of the Leyland Beaver was twitching whilst the lorry was heading south on the A34. Having a huge 9.8 litre engine means that David never uses his brakes to slow down the lorry, he just eases back on the throttle. In addition a large proportion of the lorry’s 5.5 ton weight is on the steering axle and the tyres can bite into the ice allowing the lorry to hold a steady course or to be steered on slippery conditions without sliding.

Coming south on the A441 through Redditch there was whiteout conditions with signpost obliterated with the Leyland Beaver trundling on virgin snow. Drivers who are normally desperate to overtake the vintage lorry were happy to travel in its tyre marks that morning.

Just south of Evesham the weather changed and snow changed to slush and the rest of the journey home to Bradford-on-Avon was uneventful.

http://www.vintagelorryfunerals.co.uk

Nice work

We’re all of us connoisseurs of fine embalming here at the GFG-Batesville Shard. In the last two days we have talked about little except these two above.

First, you see Bill Standley, buried on his motoring bicycle. The second miracle of the restorative arts is Christopher Rivera, shot to death but, at his wake, still standing.

We hope this may serve to inspire our native embalmers.

How do you pose a corpse in this way? We haven’t a clue. Do you?

Hat-tip IQ and Jed

And the coffin was made by… Greenfield

You saw it here first. Yeah, well okay, you first saw it here. Hayley’s coffin was, we can now reveal, made by Will Hunneybel and his team at Greenfield Creations.

As I write, (9.08) you could boil an egg on Will’s servers and the GFG coffins page is going bananas.

A good day for the empowered funeral shopper.

Then as now

A minimalist funeral reported in the Leinster Express, 1914:

The funeral of the Rev. T. Pym Williamson, for 45 years vicar of Thelwell, near Warrington, was conducted in accordance with his desire that it should be marked by the utmost simplicity.

He wished for nothing more than what would be accorded to any of his parishioners, he said, and added: “Perhaps a hearse may be found a convenience, but a handcart covered by a pall is better to my way of thinking.”

The body was conveyed to the church on a handcart, followed by his six sons. The funeral ceremony was of the simplest character.

Being A Man

Posted by MC

I am not a new man, according to my wife. To qualify as someone who is even slightly in touch with his feminine side, I would have to empty the kitchen bin. Without being asked.

It’s not an especially good time to be a man. I knew we were in trouble when I saw the latest Southbank event being advertised. It’s called, BEING A MAN.

On a recent news item, someone said that on average two women a week are killed by a current or former male partner. Statistics on male violence in the UK and around the world make distressing reading. After watching Ross Kemp’s TV programme Extreme World about Papua New Guinea earlier this week, I fervently wished that I could have un-watched it. Men did not come out of it well. Even more tragically, nor did the women.

But in the UK, you’re far more likely to die from causes other than diseases (like suicide and road traffic accidents) if you’re a man. Chances are, if you’re attending the funeral of your spouse, you’re a woman.

According to my wife, this means that (yet again) she’s going to be left with all the organising to do. Even though I’ve told her countless times to put me out with the rubbish.

Which is why I’m disappointed with the Coronation Street writers. Not because I’m a funeral celebrant (although Suzie the scary humanist did make me cringe) but because I’m a man.

Now Roy strikes me as a good male role model: hard-working, loyal and kind. Not that I’ve ever watched this programme until recently, or any soap for that matter. I’m watching for professional reasons only. And I’m hoping that Roy is going to get a grip and do us proud.

C’mon Roy! Hayley’s given you a list of instructions. What more do you want?

Undertaker’s windows: the Individual Funeral Company

The Individual Funeral Company is a young business in Oxford run by Lucy Jane. At one time she rode motorbike hearses for Paul Sinclair.

Lucy recently took on a new member of staff, ‘paw-bearer’ Joplin. Joplin is a French bulldog and has made a great hit with passers-by, many of who have hurtled through the door to say hello without realising they were entering an undertaker’s.

More photos of great windows welcome. Send em in!

Undertakers’ windows: Heaven On Earth

Believe it or not, this beautiful undertaker’s window is full of the iconography of death. Heaven on Earth is in the city of Bristol and is run by Paula Rainey-Crofts and Simon Durgan. It is one of the pioneer ‘alternative’ undertakers. (There has to be a better term than ‘alternative’, what is it?)

Urbi et orbi = ‘to the city and to the world’. Nice touch, revealing, perhaps, a Catholic influence and an elegant sense of humour. These words customarily preface the Pope’s Easter and Christmas blessings to the massed faithful in St Peter’s Square.

Londoner wins national photo competition £1000 prize

What follows is a press release from MAB which, of course, we’re delighted to publish. 

Dead Art? Then & Now.

 Earlier this month Fulham resident Robin Bath won the £1000 prize for a national photo competition designed to capture the beauty of stone memorials. 

The Memorial Awareness Board (MAB) runs the annual competition that challenges the public to take two photos, one representing the ‘then’ and one representing the ‘now’. It’s an opportunity to showcase memorials ‘unsung beauty’. 

The competition was a huge success and with such a high standard of entries choosing the ten shortlisted proved a challenging task! Then ten were then published on the website and put to a public vote.

Winner Robin Bath from Fulham was delighted with the £1000 prize. Robin said “Thank you so much to MAB for the great opportunity. I am a keen photographer and found the subject matter of stone memorials most fascinating. Visiting cemeteries is a beautiful and peaceful pass time. Organisation’s like MAB are vitally important”. Robin also received a Gold award certificate signed by the MAB chairman.

Competition sponsor Chris Lodge, (Managing Director of Lodge Brothers) presented Robin with the cheque by the Thames at Tower Bridge.

Congratulations to runner up Peter Heaton from York who won a digital camera. Peter is most inspired by photography and visiting cemeteries. He says “I was delighted to hear that I had won the Silver Award in the MAB photographic competition, I came across the competition online a couple of years ago and thought then that its subject would suit my style of work and interests. I began to look at the fascinating variety of memorials in my local where can i buy tadalafil cemetery. It is reassuring to know that there is a body such as the MAB which contributes to the continuing interest and development of our country’s memorials”.

The Memorial Awareness Board is a non-profit organisation, representing memorial stonemasons and campaigning for sympathetic memorialisation in the UK. Its brand new website, www.rememberforever.org.uk, aims to inform the public and the press alike about their options regardingmemorialisation. Whether a loved one is buried or cremated they deserve to be remembered forever and a stone memorial is the best way to accomplish this. The website gives details of all types of stone memorial available from UK memorial masons. 

Each year, the ‘Dead Art? Then and Now’ photography competition attracts entries from across the country. The purpose of the competition is to encourage the public to venture to their local cemeteries to discover the beauty of stone memorials, while helping them to understand the importance of stone memorials as a focus for grief in the short term, and agenealogy tool in the long term. The competition  is sponsored by Funeral Directors Lodge Brotherswww.lodgebrothers.co.uk

Christopher Lodge, Director of Masonry at Lodge Brothers (Funerals) Ltd says, “ As a family business established over 200 years, we are really pleased to sponsor this unique photographic competition. Memorials play a part in our social history through both personal and public memorials. They are a lasting tribute to loved ones and those who have lost their lives for our country. We sincerely hopethat this competition shows the changes within our industry and society through the theme “Then and Now” and raises the awareness and importance of commemorating in stone.” 

 

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